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	<title>HDFilmtools.com &#187; Visual Effects</title>
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	<link>http://hollywoodreinvented.com</link>
	<description>A Network for Digital Filmmakers</description>
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		<title>News From NAB 2009: Digieffects FreeForm AE for After Effects</title>
		<link>http://hollywoodreinvented.com/2009/04/news-from-nab-2009-digieffects-freeform-ae-for-after-effects/</link>
		<comments>http://hollywoodreinvented.com/2009/04/news-from-nab-2009-digieffects-freeform-ae-for-after-effects/#comments</comments>
		<pubDate>Tue, 21 Apr 2009 19:11:37 +0000</pubDate>
		<dc:creator>hdfilmtools</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Visual Effects]]></category>
		<category><![CDATA[Adobe CS4]]></category>
		<category><![CDATA[After Effects]]></category>
		<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB 2009]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Plugins]]></category>

		<guid isPermaLink="false">http://hdfilmtools.com/?p=1340</guid>
		<description><![CDATA[3D Mesh Warping Plugin for After Effects From Oddernod via Twitter Motion Graphics artists now have access to bicubic distortion in After Effects that lets you manipulate a flat object into almost any shape using a mesh in 3D space. Digieffects FreeForm AE is an intuitive and robust plugin that takes After Effects 3D compositing [...]]]></description>
			<content:encoded><![CDATA[<h2>3D Mesh Warping Plugin for After Effects</h2>
<p>From <a href="http://twitter.com/Oddernod" target="_blank">Oddernod</a> via Twitter</p>
<p><span class="status-body"><span class="entry-content">Motion Graphics artists now have access to bicubic distortion in After Effects </span></span> that lets you manipulate a flat object into almost any shape using a mesh in 3D space. <a href="http://www.digieffects.com/index.html" target="_blank">Digieffects</a> <a href="http://www.digieffects.com/products/freeformintro.html" target="_blank">FreeForm AE</a> is an intuitive and robust plugin that takes After Effects 3D compositing to the next level.</p>
<h3>Features and Benefits include:</h3>
<p><strong>3D Functionality:</strong> The same power and control of 3D applications right inside After  Effects.</p>
<p><strong>Control:</strong> All controls for manipulation are right inside the After Effects comp window.</p>
<p><strong>Speed:</strong> Powered by a proprietary, full 3D rendering engine to provide beautiful, high-quality renders fast.</p>
<p><strong>Never leave After Effects:</strong> Makes it easy to create 3D effects which previously required a dedicated 3D program or high-end workstation.</p>
<p><strong>Depth, Dimensions, and Displacement:</strong> True 3D displacement mapping.</p>
<p><strong>Picks up where After Effects ends:</strong> Bend, twist, distort, shape your layer any way you please right in the After Effects comp window.</p>
<p><strong>Presets: </strong> Ships with dozens of presets to save you time.</p>
<p>For more info, visit the <a href="http://www.digieffects.com/index.html" target="_blank">Digieffects</a> website</p>
]]></content:encoded>
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		</item>
		<item>
		<title>From NAB 2009: Stu Maschwitz, Short Film Shot with the Canon 5D Mark II</title>
		<link>http://hollywoodreinvented.com/2009/04/from-nab-2009-stu-maschwitz-short-film-shot-with-the-canon-5d-mark-ii/</link>
		<comments>http://hollywoodreinvented.com/2009/04/from-nab-2009-stu-maschwitz-short-film-shot-with-the-canon-5d-mark-ii/#comments</comments>
		<pubDate>Mon, 20 Apr 2009 23:35:43 +0000</pubDate>
		<dc:creator>hdfilmtools</dc:creator>
				<category><![CDATA[Cinematography]]></category>
		<category><![CDATA[Filmmakers]]></category>
		<category><![CDATA[Independents]]></category>
		<category><![CDATA[Tools]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Visual Effects]]></category>
		<category><![CDATA[Canon]]></category>
		<category><![CDATA[Canon 5D Mark II]]></category>
		<category><![CDATA[DV Rebel]]></category>
		<category><![CDATA[HD]]></category>
		<category><![CDATA[HD DSLR]]></category>
		<category><![CDATA[independent]]></category>
		<category><![CDATA[indie film]]></category>
		<category><![CDATA[NAB]]></category>
		<category><![CDATA[Stu Maschwitz]]></category>

		<guid isPermaLink="false">http://hdfilmtools.com/?p=1330</guid>
		<description><![CDATA[Director, Stu Maschwitz, founder of legendary VFX shop, The Orphanage, creator of the Magic Bullet software suite and author of the DV Rebel&#8217;s Guide, spoke on a panel this morning at NAB entitled, Independent Filmmaking &#8212; A Million Dollar Look on a Thousand Dollar Budget: 2009 Edition. He was joined by Rodney Charters, director of [...]]]></description>
			<content:encoded><![CDATA[<object width="640" height="385"><param name="movie" value="http://www.youtube.com/v/3ehyyULIibo&hl=en&fs=1&rel=0&hd=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/3ehyyULIibo&hl=en&fs=1&rel=0&hd=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"></embed></object><p>Director, <a href="http://www.imdb.com/name/nm0556179/filmoyear" target="_blank">Stu Maschwitz</a>, founder of legendary VFX shop, <a href="http://www.theorphanage.com/" target="_blank">The Orphanage</a>, creator of the <a href="http://www.redgiantsoftware.com/products/categories/product-suites/magic-bullet-suite/" target="_blank">Magic Bullet software suite</a> and author of the <a href="http://www.amazon.com/gp/product/0321413644?ie=UTF8&amp;tag=2popcom&amp;linkCode=xm2&amp;camp=1789&amp;creativeASIN=0321413644" target="_blank">DV Rebel&#8217;s Guide</a>, spoke on a panel this morning at NAB entitled, <strong>Independent Filmmaking &#8212; A Million Dollar Look on a Thousand Dollar Budget:  2009 Edition. </strong>He was joined by <a href="http://www.imdb.com/name/nm0153552/" target="_blank">Rodney Charters</a>, director of photographty on Fox&#8217;s, 24 and Charles Papert of Instant Films.</p>
<p>Recently, Stu directed a short film, more of a camera test as he describes it, with a <a href="http://www.amazon.com/gp/product/B001G5ZTLS?ie=UTF8&amp;tag=2popcom&amp;linkCode=xm2&amp;camp=1789&amp;creativeASIN=B001G5ZTLS" target="_blank">Canon 5D Mark II HD camera</a>. I thought it would be fun to show you what someone with some talent can do with this amazing new camera. Take a look<strong> </strong>and be sure to check out Stu&#8217;s new blog, <a href="http://prolost.com/" target="_blank">ProLost</a><strong>.</strong></p>
<p><a href="http://www.usa.canon.com/dlc/controller?act=GetArticleAct&amp;articleID=2066&amp;productID=249&amp;articleTypeID=206" target="_blank">Canon&#8217;s original 5D Mark II Microsite</a></p>
<p><a href="http://www.usa.canon.com/dlc/controller?act=GetProductArticlesAct&amp;productID=249&amp;articleTypeID=225" target="_blank">More excellent resources from Canon</a><strong><br />
</strong></p>
]]></content:encoded>
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		<item>
		<title>Independent Profile: Joe Fordham, Director THE GLITCH, Part II</title>
		<link>http://hollywoodreinvented.com/2008/07/independent-profile-the-glitch-part-ii/</link>
		<comments>http://hollywoodreinvented.com/2008/07/independent-profile-the-glitch-part-ii/#comments</comments>
		<pubDate>Thu, 10 Jul 2008 16:51:52 +0000</pubDate>
		<dc:creator>hdfilmtools</dc:creator>
				<category><![CDATA[Cinematography]]></category>
		<category><![CDATA[Filmmakers]]></category>
		<category><![CDATA[Independents]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Visual Effects]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[composers]]></category>
		<category><![CDATA[digital cinema]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[distribution]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[film festivals]]></category>
		<category><![CDATA[film music]]></category>
		<category><![CDATA[film score]]></category>
		<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[indie film]]></category>

		<guid isPermaLink="false">http://hdfilmtools.com/?p=60</guid>
		<description><![CDATA[Here is the second part of my interview with Joe Fordham, director of the new short &#8220;The Glitch&#8221; and his cinematographer Tom Gleason. Here Joe tells us how he met his composer Laurent Watteau, who lives and works in Paris, online through the message boards at Film Score Monthly.com. I also ask Joe how he [...]]]></description>
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        </table><p>Here is the second part of my interview with Joe Fordham, director of the new short &#8220;The Glitch&#8221; and his cinematographer Tom Gleason. Here Joe tells us how he met his composer <a href="http://www.laurent-watteau.com" target="_blank">Laurent Watteau</a>, who lives and works in Paris, online through the message boards at <a href="http://filmscoremonthly.com" target="_blank">Film Score Monthly.com</a>. I also ask Joe how he plans to get his film in front of an audience and any advice he might have for those thinking of making their own indie film.</p>
]]></content:encoded>
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		<item>
		<title>Independent Profile: Joe Fordham, Director, THE GLITCH Part I</title>
		<link>http://hollywoodreinvented.com/2008/07/independent-profile-joe-fordham-the-glitch/</link>
		<comments>http://hollywoodreinvented.com/2008/07/independent-profile-joe-fordham-the-glitch/#comments</comments>
		<pubDate>Tue, 08 Jul 2008 19:03:03 +0000</pubDate>
		<dc:creator>hdfilmtools</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Filmmakers]]></category>
		<category><![CDATA[Independents]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Visual Effects]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[composers]]></category>
		<category><![CDATA[digital cinema]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[distribution]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[film festivals]]></category>
		<category><![CDATA[film music]]></category>
		<category><![CDATA[film score]]></category>
		<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[indie film]]></category>

		<guid isPermaLink="false">http://hdfilmtools.com/?p=58</guid>
		<description><![CDATA[Today we present Part I of our first Independent Profile of “The Glitch”, a short film directed by Joe Fordham. This is Joe’s first venture into HD, but he didn’t just fall off the turnip truck. Joe started making Super 8 films in his native Britain at a very young age. He ultimately became part [...]]]></description>
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        </table><p>Today we present Part I of our first Independent Profile of “The Glitch”, a short film directed by Joe Fordham. This is Joe’s first venture into HD, but he didn’t just fall off the turnip truck. Joe started making Super 8 films in his native Britain at a very young age. He ultimately became part of an award winning amateur filmmaking group known as <strong>Dangerous Visions</strong>. A short while later, he found himself working in London’s Soho filmmaking district, where he produced an eight-minute short entitled <strong>Board Game, </strong>which went on to win a BBC TV <em>Showreel86</em> award. From there he was hired to write and direct <strong>Dogplant</strong> for Channel Four TV London.</p>
<p><span><span id="more-58"></span>After moving to Los Angeles Joe spent the next few years “breaking-in” to film production, again, this time the Hollywood film industry. He eventually landed work creating visual effects, creature effects and in post production on films such as <strong>Terminator 2, Men in Black, Virus</strong> and the <strong>Species</strong> series. Several years of all nighters were enough to convince Joe to pursue a writing career, and for the last six years he has been covering the international visual effects scene as a journalist and associate editor at <a title="Cinefex Magazine" href="http://www.cinefex.com/" target="_blank"><strong>Cinefex</strong></a> magazine. </span></p>
<p>Joining us is Joe’s cinematographer on The Glitch, Tom Gleason. Tom has been accumulating dramatic narrative DP credits for the last several years but he also has an extensive resume that demonstrates the breadth of his experience. This includes work as a visual effects model maker, where he built the 60’ version of the <strong>Titanic, (</strong>the one that breaks in half), one of the most impressive and widely published shots of the film. He’s also been a VFX DP, operator and 1st AC on films such as <strong>Beetlejuice. The Passion of the Christ and Mr &amp; Mrs. Smith. </strong></p>
<p><a title="The Glitch Official Site" href="http://www.flashfilms.us/Flashfilms/The%20Glitch.html" target="_blank">The Glitch &#8211; Official Site</a><br />
<span><a title="Method" href="http://www.methodstudios.com/" target="_blank">Method<br />
</a><a title="Laurent Watteau, Composer" href="http://www.laurent-watteau.com/" target="_blank">Laurent Watteau, Composer<br />
</a><a title="CineWidgets" href="http://www.cinewidgets.com/" target="_blank">CineWidgets<br />
</a><a title="Without a Box" href="http://www.withoutabox.com/" target="_blank">WithoutaBox.com<br />
</a><a title="Film Score Monthly.com" href="http://www.filmscoremonthly.com" target="_blank">FilmScoreMonthly.com</a></span></p>
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