Adam Wilt Reviews the Panasonic AG-HPX170P 1/3”, 3CCD P2 Camcorder

The first review on the net of the successor to Panasonic’s hugely popular HVX-200. Adam gives his usual in-depth analysis of what is expected to be one of this year’s “next big things” in digital cinematography. This article will be of particular interest to indie-filmmakers, production houses and cinematographers…(more)

Richard Recco/QC Central

Cineon/DPX Pro for Final Cut Studio 2 3.0.3

This is a professional set of QuickTime components to read and write Cineon or DPX images. Features include:- Full Integration with Final Cut Pro 6 and Compressor 3
- Solid playback with FCP 6. (If system meets recommended requirements.)
- Sequence Presets for Cineon or DPX based projects
- 32-bit float pixel support during import and export. (more)

IFSS/International Film School, Sydney

Dual-System Sound Sync Options

One particular production workflow that can be a sticking point for many projects is working in post with dual-system sound requiring synchronization.

Dual-System (aka Double-System) sound is simply that where the audio has been recorded separately from the picture, to a physically separate recording device and medium. The main unit used in the school for dual-system is the Marantz solid-state field recorder. This records 2 channel audio to compact flash memory cards in standard 48k 16bit…. (more)

Merinews – India

Video editing: The visual cut

VIDEO EDITING has become an inseparable part of today’s media and entertainment industry and hence the increased demand for video editors. The secret behind making art aesthetically appealing lies in the techniques of editing… (more)

I had a chance to go over to ARRI in Burbank, California recently and spoke with Eric Johnston, Product Manager for their Professional Camera Accessories. Eric gave me a demo of their new MMB-1 Matte Box, MFF-1 Follow Focus and MBP-1 Baseplate designed specifically for the new generation of lower cost, lightweight HD cameras. People shooting with Sony’s EX-1, EX-3, Panasonic’s HVX-200 or soon to released PD-170 can now outfit their cameras with these accessories, which can be purchased individually or together as a kit.

iPod/iPhone/iPod Touch – Small
Windows Media Format

Here is the 2nd part of our 2 part series on the Red Rock Micro M2 Cinema Lens Adapter. In this segment our guest, independent director Stefan Glidden demonstrates how to assemble the adapter on a Panasonic HVX-200. He then goes on to show us how to adjust and calibrate both the adapter and the HVX for optimal shooting. We then take a look at some real world examples of Stefan’s work utilizing the M2. I hope you enjoy it. If you have any questions or feedback be sure to drop us a line.

iPod/iPhone/iPod Touch – Small
iPod/iPhone/iPod Touch – Large
Windows Media Format

Today we present part one of a two part segment on Red Rock Micro’s M2 Cinema Lens Adapter. 35mm lens adapters have really given independent filmmakers on limited budgets the opportunity to get a cinematic look while shooting on video. Since it’s introduction, the M2 has garnered much praise and now has quite a following from those working in the “pro” sphere, with filmmakers utilizing the adapter on music videos, commercials and feature films.

In this first part of our spotlight, Los Angeles based independent filmmaker and director Stefan Gildden gives us some insight on why he decided to purchase the Red Rock Adapter and what type of work he uses it for. He then takes us through each component of the product as mounted on his Panasonic HVX-200. Finally, we talk about some precautions that should be taken into consideration when shooting with the Red Rock M2.

iPod/iPhone/iPod Touch
Windows Media Format